Ted Larsen has the eyes of an artist, the hands of a man used to working with materials and machinery, and the mind of a philosopher-visionary.
For him, making art is as much about the contemplation and planning that goes into a piece as it is about the actual construction of the work—or even the finished piece itself. He cares deeply about art and its interface with both the theoretical world and the practical; and when the tall, lean Larsen comes into his intimate studio, he fits it to himself as if it were a shimmering carapace he drapes over his being. Read more
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